barbara hannigan interview

Barbara Hannigan loves to die on stage. On the other hand, Salvatore Sciarrino wrote a piece for me and orchestra which I sang a few weeks ago at Carnegie. “As a professional, if you’re 80 per cent OK, you’ve got to go out there. I don’t feel that is true. 'I am not a package deal': Barbara Hannigan has found success on her own terms. Tell us about your upcoming recital at Koerner Hall. They do not impose anything on the piece which cannot be defended dramaturgically in the piece. Barbara Hannigan talks about her performance in Hans Abrahamsen’s work let me tell you with lyrics by Paul Griffiths, based on Shakespeare’s word given to Ophelia in Hamlet. Hannigan pushes herself to the limit. Ihre Hand zuckte dazu im Takt. I have so many people who have mentored me along the way, and it is a joy to be in the position that I can give back to my younger colleagues. Find out more, The Telegraph values your comments but kindly requests all posts are on topic, constructive and respectful. It was an incredible team working together. Video available for replay until . Barbara Hannigan interview: 'I serve the music, not the audience' 'I am not a package deal': Barbara Hannigan has found success on her own terms . Her latest project, an album titled Crazy Girl Crazy, combines new recordings of Berg’s Lulu (a pivotal role in Hannigan’s career), with Gershwin’s Girl Crazy Suite and Berio’s Sequenza III. I have a twin brother and a sister who’s 14 months older than me – so my mother had to be very organised. It’s like saying that the cello is male or female.”, Nevertheless, I wonder whether the orchestras she conducts expect her to be a bit, well, nurturing. Languages. I cannot put into words why I sing or why I conduct. I have unpacked half of the boxes – I unpacked my music and my kitchen and then I felt at home.”, Hannigan’s schedule makes an imminent return to Paris unlikely. An einer bestimmten Stelle im ersten Satz werde ich als Lulu wieder lebendig und beginne, in diesem Violinkonzert als Figur mitzuspielen. Jahrhundert immer noch so ein Ungleichgewicht an den Opernhäusern herrscht? Please whitelist our website in your adblocking plugin. Barbara Hannigan n'est pas qu'une chanteuse que les opéras s'arrachent. Besides the technical work Mary and I did to build a healthy and reliable instrument that can handle the crazy schedule I have now, it was with Mary that my curiosity for new sound and repertoire was embraced. I ask her now whether this was due to a fear of failure. Sometimes there are scores which seem to fit me like a glove. The revenue we earn by the advertisements is used to manage this website. They are making their own choices.”, One of the 46 year-old’s gifts as an opera singer is her ability to draw the audience into the fragile emotional state of her characters. One such person is Canadian soprano Barbara Hannigan, who combines a gorgeous voice, uncommon musicality, exceptional intellect, and an unbridled fearlessness when it comes to tackling new repertoire that is second to none. Yes, I have worked with many composers. I have an efficient practice routine — I try to stay healthy with what I eat. "Komponistinnen sind völlig unterrepräsentiert". I just want to let go!”. 13100 Aix-en-Provence - France. Es werden aber doch immer die Frauen gelobt, die ihren Männern zugearbeitet haben. And at this year’s Lucerne Festival, she openly mocked an illustration to mark its endorsement of female conductors, which showed a hand holding a baton – sporting painted nails and a bracelet. One of the best music libraries in the world, thanks to librarian Kathleen McMorrow and her colleagues. März 2019 ab 06:05 Uhr auf BR-KLASSIK. “At the end of a long day, that’s rather nice.”, Crazy Girl Crazy is released by Alpha Classics on Friday. Die Sopranistin und Dirigentin Barbara Hannigan gastierte am 8. und 9. As far as style, well, I don’t change my style. She fell out with her teacher, Jorma Panula, after he commented in 2014 that female conductors were unnecessary and that they should limit their repertoire to “feminine” music such as Débussy or Ravel. Und das, obwohl sie dort für ihr neues Album Crazy Girl Crazy, auf dem sie Klassiker von Berg und Gershwin mit ihrem Orchester aufgenommen hat, einen Preis für das beste klassische Soloalbum bekam. Barbara Hannigan führt auf, dass die moderne Primadonna die Exorbitanz im Alltag nicht mehr braucht. In der Philharmonie im Gasteig kombinierte … I have a twin brother and a sister who’s 14 months older than me – so my mother had to be very organised. Advertising. “Lulu is so strong, so active in her destiny,” she says. I allow recovery time from travel and flights. Früher übertrafen sich Diven mit ihrer Exzentrik. “You don’t need to go out and serve the audience, you’ve got to serve the music,” she tells me over lunch at the Jahrhunderthalle in Bochum, Germany, where she will perform in Pelléas et Mélisande later that day. Die Chancen für eine Aufführung von "Lulu" standen sehr schlecht. Mai 1971 in Waverley, KanadaBeruf: Sopranistin und DirigentinAusbildung: Musikstudium an der University of TorontoStatus: Königin der Nacht. Eventually, I expect I will conduct operas with them directing, so that we can continue to collaborate. “Often the women I play choose their time to go; they survive until they decide not to. Most singers would be content as the muse for today’s great modernist composers – she has appeared in more than 80 world premieres – but a few years ago, she decided to pursue a parallel career as a conductor, making her debut at the Châtelet in Paris with Stravinsky’s Renard and Ligeti’s Mysteries of the Macabre. Barbara Hannigan CM (born 8 May 1971) is a Canadian soprano and conductor, known for her performances of contemporary opera. Sie hatte bei Alexander Zemlinsky studiert. I’m sure you’ve been asked a thousand times – what draws you to new music? When I interviewed her for an article in Opera Canada when she received the Rubies (Opera Canada Awards), she said you have a real gift in this repertoire. After growing up in Waverley, Hannigan moved to Toronto at the age of 17. Aber sie spielen für diese Zeit eine große Rolle. Some want a lot of contact and others need to go away and just be alone with their writing. Working with Hannigan must keep you on your toes. By Jonathan Lennie Posted: Tuesday January 22 2013 Share Tweet. Follow us on Facebook or Twitter for all the latest. And I will conduct my first major opera, The Rake’s Progress, next season with Gothenburg Symphony, Munich Philharmonic, and my Ludwig orchestra, as part of the inaugural season of my Equilibrium Young Artists initiative I started. Mit schwarzer Perücke und Latexmantel im Matrix-Style betrat sie die Bühne des Théâtre de la Monnaie in Brüssel, bedeutete dem Publikum, nicht zu klatschen, und sang die ersten, schrillen Noten von Györgi Ligetis modernem Stück Mysteries of the Macabre. Eigentlich gab es sie ja immer. I have quite a few world premiere opera productions coming up, as singer. We have changed the order since then, and added the Alma Mahler songs, as she was such a presence in the Viennese world, having studied with Zemlinsky, married Mahler, and acted as patron for Schönberg and Berg. ISSN: 2368-7045 | Copyright © 2011-2020 - All Rights Reserved Museland Media Inc. CRITIC’S PICKS | Classical And Opera Livestreams You Absolutely Need To See This Week, CRITIC’S PICKS | Classical Music Livestreams You Absolutely Need To See This Week (November 2 – 8). Hat ihn das traurige Ereignis vom Tod der Manon Gropius dabei geholfen, den richtigen Ton zu finden? Am 17. Berufsverbote, wenig Beachtung, sogar Ablehnung - komponierende Frauen hatten es im 19. That has changed a little bit, and I am not sure why, but I don’t get as nervous as I used to. “Lulu is so strong, so active in her destiny,” she says. Tel : 08 20 922 923 (12 cts € / min) It is a problematic piece for any director, but with the Debussy I think we got to the centre of the silence, the darkness, and the mystery of that piece. I need to work and develop the piece with the director from the beginning. Barbara Hannigan, Dirigentin | Bildquelle: © Musacchio Ianniello Accademia Nazionale di Santa Cecilia, Sendungsinformation Einblenden / Ausblenden, Symphonieorchester des Bayerischen Rundfunks. Barbara Hannigan loves to die on stage. You studied with Mary Morrison, who was a champion of new music in her day. C'est un phénomène : soprano, chef d'orchestre, les deux à la fois, et surtout comédienne. Chefposten bei international renommierten Orchestern gehen immer öfter an Frauen: Zum Beispiel ist Joana Mallwitz seit dieser Saison Generalmusikdirektorin der Staatsphilharmonie Nürnberg. One has to become the music. There is also an accompanying DVD of rehearsals, directed by Mathieu Amalric, the French actor and film-maker with whom Hannigan is in a relationship. That said, once in a while, someone comes along and knocks your socks off. Among her many engagements over the next year or so is the part of the she-wolf, Isabella of France, in George Benjamin’s eagerly awaited Lessons in Love and Violence at the Royal Opera House in May next year. Die Sopranistin und Dirigentin Barbara Hannigan im Interview ohne Worte über das Gefühl des Scheiterns, klassische Musik und ihren privaten Tanzstil. Die Sopranistin und Dirigentin Barbara Hannigan gastierte am 8. und 9. I usually give a certain amount of information about my possibilities to the composer at the beginning. We all know singers who have had vocal problems, who never sing any contemporary music. That said, I spend at least half my season singing opera, and need and want to be onstage, singing, acting, inhabiting the roles I love, as well as some new roles. You have Lulu and La Voix Humaine this season, working with Marthaler and Warlikowski, both known for their concept-driven directorial styles. Adjectives such as “great” or “phenomenal” or “extraordinary” are bandied about far too often. BR-KLASSIK: Am 8. Her latest project, an album titled Crazy Girl Crazy, combines new recordings of Berg’s Lulu (a pivotal role in Hannigan’s career), with Gershwin’s Girl Crazy Suite and Berio’s Sequenza III. “It wasn’t about failure,” she says carefully. What are your thoughts on Regieoper? I have never been so satisfied (and exhausted) with an entire production as I was there. There are singers who feels singing too much contemporary music can hurt their instrument. A native of the town of Waverly in rural Nova Scotia, Hannigan moved to Toronto at 17 to study voice with Mary Morrison at the University of Toronto, graduating with a Bachelors (1993) and Masters in 1998. Barbara Hannigan: “Je donne une notion de … Aber dann hört man sie im Interview mit einem kanadischen Radiosender sagen, sie habe die Grammy-Verleihung im Pyjama vor dem Fernseher verbracht.

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